The city park is busy, kids play, couples walk hand in hand. Like location descriptions, you don’t need to give every detail on a character, only what is essential to the story. But only if this is all relevant to the story. You can also provide detail on their race, health, notable features and props. Their age is also given in brackets or a general indication of age, such as (in their late 20s). Even if they are introduced during the third script act. When you first introduce a character, you type their name in capital letters. An office worker in the car beside her shouts insults at the car in front of him - but Alice doesn’t let that stop her from singing. In one car, we see ALICE (24), she sings aloud to the car radio. For example, if the location is a hospital, you don’t need to describe the colour of the walls, the general setting is known.Ī busy city street filled with cars, rush hour and impatient office workers beeps their horns. You don’t need to give full detail of a location or character unless it is essential to the story. It explains directly what is happening and what the audience can see on screen. Unlike novels, the script deception is purely visual and straightforward. The script description goes after the heading and maybe be between a script slug. He peeks through the gap and holds his breath. John is careful not to make a sound as he strolls towards the window. The living room is pitch black, apart from a distant street light that glows through a small gap in the curtains. John puts his phone on the kitchen counter and walks into the living room. The phone beeps, and he reads the message. You don’t always need to include a script slug, only if you feel the reader must understand the action change. The script slug is written in capitals and shows the movement away from the main action. This slug line can indicate a location change, a piece of camera direction or give attention to additional detail.įor example, if in John’s flat we cut to a message on his phone and then follow him to his living room. More commonly known as the script line, the script slug is a sub-header for a scene after the heading. If needed for clarity, you could also add additional details like the date (1960) and room (JOHN’S FLAT/KITCHEN). However, you can also use time of day modifiers such as DAWN or DUSK. The time of day is typically DAY or NIGHT. This is followed by the location title and the scene time of day. First, whether the scene location will be interior (INT) or exterior (EXT). This first line includes some key features on what the scene looks like and is typed in capitals. A line of lead in both eras was known as a slug.At the very top of a scene is the scene heading. Later huge Linotype machines turned molten lead into casts of letters, lines, sentences and paragraphs. "The origin of the term slug derives from the days of hot-metal printing, when printers set type by hand in a small form called a stick. Usually the slug references the offer or headline and is used to differentiate between different ad runs. Advertisements usually have several markers, ad numbers or job numbers and slug lines. In the production process of print advertisements, a slug or slug line, refers to the "name" of a particular advertisement. The AP Stylebook prescribes its use by wire reporters (in a "keyword slugline") as follows: "The keyword or slug (sometimes more than one word) clearly indicates the content of the story." Sometimes a slug also contains code information that tells editors specific information about the story - for example, the letters "AM" at the beginning of a slug on a wire story tell editors that the story is meant for morning papers, while the letters "CX" indicate that the story is a correction to an earlier story. The story is labeled with its slug as it makes its way from the reporter through the editorial process. In newspaper editing, a slug is a short name given to an article that is in production.
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